A Different Take on Street Fashion Photography
A few months ago I had the delight of popping into the Met’s modestly-sized exhibition “Hipsters, Hustlers, and Handball Players: Leon Levinstein’s New York Photographs, 1950–1980.” From the Met’s website description: “Leon Levinstein (1910–1988), an unheralded master of street photography, is best known for his candid and unsentimental black-and-white figure studies made in New York...
Flattening Fashion
One of my favorite blogs ColourLovers brought to my attention a new cookbook. I have no idea the quality of the recipes in Homemade is Best, but what interested me was that each recipe has a double-page spread of photos of the ingredients, piles neatly arranged in graphic formation. It might make more sense...
The Deforming Mirror: Anais Nin’s Fractured Identity as Read through Fashion
I am thrilled to be participating in Drexel University’s upcoming [the Dark Side of] Fashion in Fiction conference. If anyone will be in Philadelphia October 8 – 10 and is interested in introducing yourself, please get in touch! Here is a taste of what I will be presenting: Anais Nin grappled with complex self-identity issues...
The Politics of Mannequins, Part III – Mannequins in Art
Until the article I recently read, mannequins in their practical form held little interest for me; however mannequins in art have always attracted me, most likely due to my obsession with fashion coupled with my fascination with unsettling representations of people (and who doesn’t love to be unsettled?). Incorporating mannequins — invented to market and...
The Politics of Mannequins, Part II
Picking up from where I left off last week, I’m going to address mannequins’ evolution in the second half of the 20th century. The revolutionary ’60s came as a shock to the world, the American youth rebelling against the traditions of their conservative parents who desired normalcy and stability after the chaos of WWII. The...
Coraline & Domestic Sewing Traditions
Last week I watched the movie Coraline (2009), directed by the stop-motion animator master Henry Selick who achieved recognition for his collaboration with Tim Burton in The Nightmare Before Christmas (1993). I was kind of blown away by his latest effort; it succeeded on many levels, but for the sake of this blog I’ll limit...
Manipulations of Images & The Body